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Author: richardfjbrown
Found in the suburbs
[Originally published online by the Guardian, 6 December 2017]
The London plan, the latest draft of which was published at the end of November, is the great ocean-going liner of London mayoral politics. It carries as its cargo all the mayor’s most important policies, as it sails from draft to adoption, navigating the choppy waters of public consultation and examination-in-public on its way.
As soon as the plan’s two to three-year journey is completed, it turns round to begin afresh the process of review and redrafting. It is the keystone of mayoral strategies, and one of the most powerful tools the mayor of London has to define the shape of London. It regulates the use of land – a scarce asset in a growing but constrained city – and over time all 33 London boroughs should ensure that their plans and planning decisions fall in line with its policies on what should be built where.
This concentration of mayoral powers in planning means many policies take on a spatial complexion: while the mayor cannot tax or ban unhealthy fast food shops, he can propose that they are located away from schools. He cannot license nightclubs, but he can require developers to meet the cost of soundproofing if they build alongside nightclubs. He does not manage financial services, but he can preserve land for offices in the Square Mile and Canary Wharf.
If you are a hammer, everything looks like a nail; and if you are a planning document, everything looks like a land use issue.
At the heart of the latest London plan is its focus on annual new housing supply, raised from its previous target of 42,000 to 66,000, with half being affordable. It’s an ambitious target, considering that the present supply of new homes, 29,000, is less than half the new target – but the mayor argues that the capital’s crisis over a lack of affordable homes requires a big step up. Few would disagree with that.
Some of the proposed homes may be built outside London – the plan commits to working more closely with neighbouring councils, a scheme that will be considered in a forthcoming report by Centre for London and the Southern Policy Centre – but the priority will be building homes within the capital.
Alongside investment in affordable homes, which Khan says needs to be increased to £2.7bn, and land at the Olympic Park and Old Oak Common, the mayor must rely on his planning powers to achieve his target. In some cases, he will be able to intervene himself in planning decisions, but can only do so where certain conditions are met, such as schemes with more than 150 housing units or buildings over 30 metres tall.
In most cases, he will have to rely on the policies and planning decisions made by individual London boroughs and some outer London boroughs, who are being asked to double or even treble their speed of housebuilding – and who may be reluctant to do so, given the concerns of local voters.
So the plan seeks to make it easier for boroughs to grant planning permission and harder to refuse it. High density in itself, for example, can no longer be a reason to turn a scheme down – although there is sensible provision for careful scrutiny of the design of the highest density schemes.
There is also a sharper focus on smaller sites, which are expected to account for 25,000 of the 66,000 new homes a year. The plan says smaller sites should be prioritised by boroughs, with design codes drawn up to identify opportunities for new development, particularly around transport hubs, and a presumption in favour of giving planning permission.
But all this relies on developers wanting to build. For 20 years, London’s housing market has boomed, so the challenge has been how much the mayor and boroughs can secure from developers in terms of social housing and other community benefits; where permission has been refused, developers have often come back with a better offer.
At the launch of the draft plan, London’s deputy mayor, Jules Pipe, was adamant that it would not stifle development or undermine viability of schemes. But planning as a tool works better at directing development than initiating it. There is already a growing backlog of planning consents that have been given, but where houses have not been built, and without a dramatic increase in funding, the mayor has only limited powers to get homes built.
The draft plan does want to find incentives for homes to be built faster, and a switch to more rental developments and smaller sites should help, but at a time when London’s housing market is cooling, planning permission will only be half the battle.
- This article was corrected on 12 December to clarify the mayor’s target of £2.7bn to invest in affordable homes.
London Sounds
[Originally published in OnLondon, 13 November 2017]
Richard Brown is research director at think tank Centre for London and before that he worked for Mayor Ken Livingstone and on the transformation of the Olympic Park. So he knows this city. He also knows a few of its tunes.
Why don’t we sing about our city? Writing here recently, Westminster North MP Karen Buck observed how few songs celebrate London, when so many reference postcodes, districts or neighbourhoods, from Gerry Rafferty’s Baker Street to Wiley’s Bow E3.
Given London’s uneasy relationship with the rest of the UK, the capital may simply be reticent, loath to sing its own praises. Like a tall person at a party, London stoops to blend in. Also, as discussed at a recent Centre for London seminar, London identity is a slippery concept; many Londoners identify far more closely with their neighbourhood than with the unexplored miles and unknowable millions of the metropolis.
Newcomers are less coy about celebrating the city, still conceiving it as a singularity, rather than as the patchwork of places that residents navigate, and it is striking how many “London” songs are written by new arrivals or even in anticipation of arrival. One of the earliest, Lord Kitchener’s London is the Place for Me, was written before he arrived in Tilbury on the SS Empire Windrush as it brought the first wave of West Indian migrants to London in 1948.
The Smiths’ London is about the journey south from Manchester, and the Pet Shop Boys’ song of the same name depicts the Eastern European migrant experience. The Pogues’ early hymns to London, including the bleary Dark Streets of London and the boisterously offensive Transmetropolitan, were written from an adopted stance of London Irish rootlessness. Even two of the best-known London songs – The Kinks’ Waterloo Sunset and Ralph McTell’s Streets of London – were originally composed for other cities, Liverpool and Paris respectively.
But many more songs are unambiguously about London, while never naming the city. Karen Buck picks out her erstwhile constituents The Clash, whose songs are an A-Z of punk reference points, but Woking imports The Jam were also prolific in the key of London: In The City and Strange Town celebrate the giddy excitement and the nervous alienation of coming up from the suburbs, while Down in The Tube Station at Midnight and That’s Entertainment take a more jaundiced view of late 1970s London, and its “smell of pubs, and Wormwood Scrubs, and too many right wing meetings”.
When I arrived in London in the 1990s, punk was long gone, except for postcards of theme-park mohicans on King’s Road. Alongside St Etienne’s electric ballads and Pulp’s class satires, Underworld’s early albums are powerfully evocative of London at that time. In Dirty Epic, sounding like a blissed-out Iain Sinclair, Karl Hyde invokes “the sainted rhythms of the midnight train to Romford”, capturing the queasy hedonism of London clubbing as acutely as Soft Cell’s Bedsitter or the Pet Shop Boys’ West End Girls did in the 1980s.
The capital looms, even when unmentioned, over all the later phases of Britpop, when Oasis, Pulp and Blur abandoned their regional roots to celebrate the capital’s offer of sex, drugs and existential angst, and – as 2000s war clouds gather – is a powerful presence in Damon Albarn’s subsequent work with The Good The Bad and The Queen. Songs like The Libertines’ Time for Heroes, and Plan B’s Ill Manors chart London’s history as a centre for protest and of rage. They don’t mention the city by name, but they don’t need to. Where London is mentioned, in Lily Allen’s LDN or Elvis Costello’s London’s Brilliant Parade, it is sardonically or even bitterly.
Even among these anonymous appearances, as the backdrop for stories of love and hate, success and failure, positive portrayals of London seem sparse, as Karen Buck argues. We don’t rhapsodise the city; even Noel Coward’s elegant wartime London Pride is a casual and minor key ode to a “grey city, stubbornly implanted, taken so for granted for a thousand years”. But perhaps that’s right: London’s glitter, so keenly serenaded by new arrivals, soon loses its lustre. It is replaced by a deeper, more clear-eyed but less articulate attachment, even a quiet sense of tainted civic pride, which infects and informs whole genres of music.
You can follow Richard Brown on Twitter and read more of his work on London via here.
The hills are alive
Transport of no delight
When does \’disruption\’ tip over into irresponsibility? That was one of the fundamental tensions underpinning the tech manifesto published by Centre for London, with Tech London Advocates and London First, in February 2016. The row over Uber\’s licence suspension in London shows that we are still some way from an answer.
The Tech Manifesto argued for an approach that balanced \”open innovation, with consideration of citizens\’ needs\”, and identified \”the disruption to the private hire markets caused by the introduction of Uber in London [as] a prime example of regulators failing to keep pace with the scale and speed of a particular innovation\”.
On Friday, it felt like regulators finally caught up, when Transport for London announced that Uber\’s licence to operate in London would be revoked from the end of September. But the racing metaphor quickly implodes: the events of the last few days look like an object lesson in how not to do digital regulation. Transport for London\’s decision to pull Uber\’s licence appears to have come out of the blue, with little opportunity for Uber to address the concerns about driver and passenger safety that have been raised. At the same time, Uber, so rich in political networks, has responded with petitions and media campaigns about its 40,000 workers and millions of customers, blowing squid ink rather than trying to engage with the concerns about its systems and policies.
It may be that TfL has announced the \’surprise\’ revocation to force the pace with a company that would otherwise happily deploy lobbyists and lawyers to haggle for months over sanctions and compliance, and it may also be that Uber is sincere in the sentiment expressed by its CEO in a tweet on Saturday, asking London to \”work with us to make things right\”.
But this clash – more interesting because it is more textured than other cities\’ decision to ban Uber outright – does not inspire much faith in the future for intelligent discussions about regulating the digital economy. We cannot preserve business as usual for every element of city services, but we shouldn\’t give \’disruption\’ a free pass an unalloyed benefit to urban life – individually or in aggregate – either.
Sumday
Rule of 7
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You don\’t need a weatherman
At the end of \’manifesto week\’, it does seem as if a lacklustre election campaign has been overlaid on a significant shift in the centre of gravity of British political discourse. As John Prescott put it, what seems like an age ago, \”the plates are shifting\”.
There\’s been a lot of debate, mainly from the originator of the term, about whether Theresa May is a \’Red Tory\’. In an interview in today\’s Observer, Damian Green suggests something rather different. His old friend is not a great political theorist, he says, but a meteorologist, who can sense changes in the climate of public opinion and react to the modern world.
Many would argue that a leftward shift in public opinion is long overdue; the wonder is that it didn\’t happen earlier, given the crisis of financialised capitalism ten years ago, and the growing perception of inequality since then. We\’re through with shock, denial and anger, and are now ready for a new deal, which promises to tame and temper capitalism for the public good. Ten years may seem like a long time, but almost as many years passed between the crises of the late 1970s, and the emergence of purple period Thatcherism after the 1987 election.
And, of course, the shift in rhetoric and discourse may not signal an actual change in behaviour. Just as New Labour shrouded redistributive policies in veils of prudence, the Conservative government that most people expect to see elected in June may enact traditional Tory policies while paying lip service to kinder capitalism.
But the opinion polls published today give pause for thought. Labour still has a mountain to climb, but has narrowed the Conservatives lead from around 20 points to 13 or less. Labour has made much of the Conservative reforms of social care (a small shimmy in the right direction, imo), and perhaps this \’nasty party\’ framing is hitting home.
But I can\’t help wondering whether, in trying to colonise Labour territory, the Conservative manifesto hasn\’t scored a more significant own goal. In signalling a leftward shift, has the manifesto given voters permission to think what was once unthinkable, that free markets are not always the best guarantor of prosperity? And if you start thinking that way, you might even think a bit further: if you\’re going to clamp down on executive pay, why not think about setting ratios? If caps on fuel bills, then why not renationalisation? Just as Labour suffered, until John Major\’s goverment ran out of steam, from looking like a pale shadow of conservatism, why would people vote for a half-arsed version of the interventionist social democracy offered by Labour?
Slow train
He\’s Only Making Plans for London
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Almost drowned out by the noise over airport expansion, Sadiq Khan issued A City for All Londoners this week, the vision document that will underpin the Mayor’s strategies, and in particular the London Plan, the city’s spatial blueprint.