I have done some sniffing around the web to find any other accounts of walking from London to Brighton, and have found very little. Two minor gems: this marvellous Pathe film of a London-Brighton walking race in 1955, and – even more eccentrically – these photographs of Mademoiselle Florence, a lady who walked from London to Brighton on a ball in 1903. Respect.
Author: richardfjbrown
Trains, planes and automobiles
Redhill is a good place to leave. I had arrived by train from Victoria, where I saw a family of recently arrived tourists (Iranian, I think) trying to collect the necessary change to use the public loos (£1.50 for the five of them). It felt deeply shaming that this chiselling approach to basic human needs was to be one of their first experiences of the UK.
Back to Redhill, where a bit of fancy footwork along the A25 took me away from the shopping mall that appeared to have replaced the town centre, and to the south. Redhill\’s former \’asylum for idiots\’, the Royal Earlswood Hospital has – like so many of London\’s green belt asylums – been redeveloped as housing. The main building is imposing and impressive (you can see it from the railway line), as befits an establishment that was the residence of the Queen Mother\’s nieces for many secret years. It is now mocked by the cheap pastiche that surrounds it, buildings crammed together like Monopoly houses. There is still a gate, presumably to keep people out rather than in nowadays, though it\’s a pretty moot point.
From alongside the hospital (and leading past the newer East Surrey Hospital and the isolated housing estate (perhaps a \’New Village\’?) of Whitebushes), a slightly monotonous bridleway and cycle track takes you south to Horley, staying a fairly consistent field\’s width away from the railway line. In several places, what was marked on the OS map as fields has been taken over by new housing estates. Many of these can be seen from the train. They do not look much more impressive close to.
The Farmhouse, just on the northern edge of Horley, lies alongside one of these estates, but has a good garden for a pint (and a magnificent \’smoking pavilion\’, in which the landlord has drolly made space for a bar \”should the Government…ban alcohol in pubs in future\”). Continuing clockwise round the town, I made for Thunderfield Castle, which looked more impressive on the map than it did with reality: a caravan site surrounded by a redundant moat of oily, stagnant water.

Modern buildings down these small back streets and bridleways were far more effectively secured, with electric gates and high hedges protecting the privacy of large houses and large cars.
Clear of Horley, the roar of the motorway grows again as you approach the M23 spur to Gatwick, this time mixed with the intermittent rattling of trains and the keening whine of aircraft. Cows in the fields alongside seem curiously nonchalant, as I creep through the din and the brambles to the airport.
Stats: 2.5 hours, 12.75km, 8 miles
I fell in love with the beautiful highway
\”The journey of 1,000 miles starts with a single step\”
I spend so much time travelling between London and Brighton, that I thought it would be worth walking the route, if only to understand better the familiar but always half-glimpsed landscape as it flashes past the window.
Coulsdon South was the starting point. I wanted the trip to be more honest than scenic, but trudging through Streatham, Norbury, Purley and all points in between seemed to be an exercise in unnecessary masochism. A few yards from the station, the path across Farthing Downs takes you to the top of the North Downs, the hillsides dotted with forests in one direction and suburban villas in another. The road narrows and continues down towards Chaldon, with huge SUVs squeezing past each other, rushing to conclude the slightly furtive business that seems to dominate London\’s fringes.
I wandered off the road to try to follow a path through Devilsden Wood, but quickly got confused by too many paths rather than two few, almost all of them marked \’Happy Valley Nature Trail\’. That wasn\’t what I wanted – it sounded far too urban and didactic for my mood – but it seemed to have taken over all signage, like Japanese Knotweed smothering native species.
I returned to Ditches Road pretty near where I had left it, dodged some more SUVs and the occasional tractor, then walked past Chaldon\’s 11th Century Church (no camera this time, but I hope to remedy that in future stages). Past a couple of farms and then the most fantastic vista over the great closerleaf of the M23-M25 junction, with the M23 snaking through misty skies to the South.
Motorways may be bad in all sorts of ways (planet, health etc), but watching them twining together through wooded valleys, you are reminded what beauties of engineering they are too. Walking through cornfields down to the road, the roar of the traffic growing steadily more insistent, you feel like an archaeologist or an alien, unearthing something at once thrilling and abstruse.
A path passed under the M23, through Merstham, cut off like a sandbank between two rivers, then over the M25. Following the bank round above the junction, I passed more intriguing edge of city developments (razorwire and daubed signs – \’GUARD DOGS LOSE AT ALL TIME! KEEP OUT!!!\’).
Nature reserves indicated the sites of past gravel pits, and the path eventually emerged at Nutfield Marsh. The Inn on the Pond was exactly the pub I didn\’t want to find for lunch: restaurant-focused, with precious little bar service, and an interior that looked like it had been selected by an auto-gastropub programme. Very sorry, very Surrey.
The chef cites \”Gordon Ramsay, Jamie Oliver and Thomas Keller of Napa Valley’s ‘French Landry’ [sic] restaurant fame as his food influences\”. I had a ham baguette, in which few of these influences were discernible. It\’s a bit like me saying that this account is inspired by Patrick Leigh Fermor. It may be true, but it has no bearing on the quality of my prose.
From there, the idea of walking into Redhill, past the huge new housing estates being built in gravel pits that I had seen from the train, seemed too depressing a prospect, so I took a slightly woozy route across fields to Nutfield itself, then a further stroll (downhill again) onto South Nutfield, where a train arrived, miraculously, as I did.
re-dac-tor
\’Redact\’ is one of those ugly words (like \’resile\’) that seems to have insinuated itself into everyday speech without anyone noticing, let alone objecting.
Since 2005, redaction has been used in the public sector to describe the act of obliterating any interesting, sorry I mean \’sensitive\’, information in response to Freedom of Information requests, usually by use of a black marker pen. It was the publication of MPs\’ expenses (or rather the publication of Mondrian-esque blocks of black ink) that allowed the word to break out of its status as a piece of public sector jargon, and enter the real world.
The dictionary (Chambers 21st Century) defines \’redact\’ as \’to edit; to put (text) into the appropriate literary form\’, and traces its use back to the Latin redigere – to bring back. It is an irony worthy of Orwell that a word associated with tidying up for publication is now used to signify censorship and the suppression of information.
Poets, politicians, beauty queens and cooks
I don\’t seem to have put much up here recently. Normal service will be resumed presently.
In the meantime, here is one of Nick Asbury\’s \’corpoetics\’ – poetry assembled from the airy and conceited twaddle that infests corporate websites:
KPMG
I am strong.
I am vibrant.
I am committed to a vision.I am tremendous.
I am quality.
I will lead people to excellence.I am delighted.
I am respected.
I am very greatly valued.What am I?
I am the best.
Reproduced without any permission, but please go and buy the book, and enoy other features on the Asbury blog, such as distinguishing the names of Fall songs from tax avoidance scams. Harder than you think.
Sign of the times
Like the first cuckoo, frogspawn or daffodil, dire warnings of anarchists hijacking peaceful anti-capitalist protests seem to come round earlier each year.
This year\’s star turn is one Alessio Lunghi, who is alleged to be proposing \’black bloc\’ tactics (whereby protestors dress identically to avoid identification) for the G20 Summit at the end of this month.
So far, so business as usual What is interesting this year is that, at the time of writing, these pernicious anarchists and their proposals to seize the ill-gotten gains of the capitalist system, appear to be getting a fair degree of support from on-line commentators in the Evening Standard (not known to be a house journal for the global resistance movement).
The main debate seems to be whether precipitating state repression and perhaps revolution through these tactics is appropriate, not whether the call to \’RECLAIM THE MONEY, storm the banks and send them packing\’ is right or wrong in itself.
Pipeline at the gates of dawn
Apart from some lurking images that would give Freud a field day, this email that I received at work is thoroughly baffling:
\’Over the past week, each Directorate has been requested to send the Corporate PMO updates for the Pipeline Tracker tool. This tool ensures visibility of all projects that are expected to pass through the Gateways at any given time.
\’This is an ongoing process requiring continual maintenance and review to ensure the Tracker is accurate and reliable.
\’The Corporate PMO needs to identify representatives from each Directorate to act as a Pipeline Champion, and this will be initiated next week.
\’Please can you nominate these representatives ASAP.
\’Thank you for your cooperation.\’
I\’d love to help (probably), but I really don\’t have the faintest idea what I am meant to co-operate with.
Burj Babel
Nothing can stop them?
It\’s good to see that Saint Etienne have offered to write a song for London 2012. SE are the quintessential London band, and What Have You Done Today, Mervyn Day? their unsentimentally-filmed elegy for the Lower Lea Valley\’s vanishing grimescape is well worth watching.
But, based on the evidence to date, their bid to craft a 2012 anthem is doomed to disappointment. From Barcelona to Beijing, understatement has rarely been an Olympic theme. London\’s bid was buoyed along by mannered M-People caterwhauling, and our contribution to the closing ceremony at Beijing was a faintly embarassing attempt to distill the essence of \’Cool Britannia\’ (remember that?), while ticking appropriate boxes. Red double-decker bus, as seen in establising shots in every film from Goldfinger to 28 Days Later? Check. Old white man from once-important rock band? Check. Inoffensive young black woman from talent show to counterbalance said rock dinosaur? Check. Global brand/footballer type person? Check.
I hope I\’m wrong, and there may still be a lot of suprises before the 2012 opening ceremony, but I am afraid that Saint Etienne\’s music, while not always my cup of tea (too winsomely Heavenly Records, if you know what I mean), is too subtle, too particular, too crafty and crafted, to fit into the bizarre, homogenised world of Olympic culture and bombast.
World gone wrong
There are all sorts of reasons why I haven\’t typed anything here for a few weeks. One reason is that I try to write with some basic level of insight or understanding, and things are falling apart in the global system at such a dizzying pace that is hard to see what is happening, let alone make any sense of it all.
There\’s something else too. Every time I start typing something about the shrill and intolerant outrage that seems to dominate debate at the moment, I realise I am sounding like a Daily Mail writer, protesting about \’political correctness gone mad\’. And this is not a good sound. If you sleep with a dog you get fleas, true, but sometimes that\’s the only place to sleep.
This week has been particularly rich in its craziness. Jonathon Ross making jokes about sex with old people (and the grand-daughters of old people) was merely a warm-up act to Gollygate. Now, Carol Thatcher does not seem like the sort of person I\’d like as a neighbour. I can only cringe as I imagine her crass and self-righteous air of martyrdom as she refused to \’kowtow to political correctness\’, by apologising for her singularly oafish and offensive remarks. But this can\’t make it right to ban her from the airwaves.
Jeremy Clarkson is another person that I wouldn\’t want to spend much time with (though Top Gear is a guilty pleasure), but it is hard to see how referring to Gordon Brown as a \’one-eyed Scottish idiot\’ is so offensive to all partially-sighted people, let alone an entire nation, unless they are embarassed to be associated with the Prime Minister.
This fractious and factitious culture of complaint (to borrow the title of Robert Hughes\’ prescient book) is reducing a once-great institution to a punch-drunk pulp, incapable of distinguishing morality from manufactured outrage, or helping the hungry from helping Hamas. To mangle another Yeats line, the BBC lacks all conviction; its viewers are full of passionate intensity.
We are all going to hell in a handcart (as I believe is the the traditional closing sentence of such rants).

